We heard the stark weirdness of the 1966 Requiem Canticles, hurled out by the crack vocal squad Ex Cathedra with plenty of resinous tang and bite — even when simply reduced to ritualistic murmuring. Allotted two even stranger miniatures, theIntroitus (written after the death of T. S. Eliot) and a puckish setting of Bach, theChoral Variations on Vom Himmel Hoch, they fielded both with pungent, aptly deadpan concentration. (The Times) Read the rest of the review…