“Involving Ex Cathedra – one of Britain’s very best choirs… [Shakespeare Odes‬] was an event created in the spirit of the grand outpourings of collective praise for great men that historically were common practice… Ex Cathedra, with successive solo singers and baroque musicians, were superb… it was a privilege to have experienced its birth, beside the Bard’s grave, in these special circumstances.”

Read the full review in the New York Times.