Ex Cathedra: FIRE BURNING IN SNOW Baroque Music from Latin America 3Fire Burning In Snow

Baroque Music From Latin America III

Ex Cathedra Choir & Baroque Ensemble
Jeffrey Skidmore
Hyperion CDA67600
75’35

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Ex Cathedra Consort and Baroque Ensemble revel in a third programme of the exuberant Latin American Baroque repertoire for which the group has received rapturous acclaim. Particularly featured on this disc is the rhythmically arresting music of Juan de Araujo with his settings of wonderfully evocative, indigenous, imagery.

‘For fire burning in snow is the effect of love’. The final line of Dime, amor gives the recording its title and conjures up the passion and dramatic contrasts of the music.

TRACK LISTING:

1. Hanacpachap cussicuinin verses 1-5 – Anonymous (Ritual, Lima 1631)
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2. Dixit Dominus a 3 choros – Juan de Araujo (1648–1712)
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3. Silencio – Juan de Araujo
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4. Dime, amor – Juan de Araujo
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5. ¡A, de la región de luces! – Juan de Araujo
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6. Hanacpachap cussicuinin verses 6-10
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7. ¡A, del cielo! – Juan de Araujo
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8. ¡Fuego de amor! – Juan de Araujo
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9. En el muy gran Padre Ignacio – Juan de Araujo
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10. Hanacpachap cussicuinin verses 11-15
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11. ¡Salga el torillo hosquillo! – Diego José de Salazar (c1660-1709)
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12. Dios de amor – Juan de Araujo
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13. ¡A, del tiempo! – Juan de Araujo
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14. Hanacpachap cussicuinin verses 16-20
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REVIEWS FOR ‘Fire Burning In Snow’:

‘Skidmore and his choir … have included the largest of Araujo’s liturgical pieces, an imposing Dixit Dominus in eight parts. The colourful, carefully paced sequence is interspersed with sections of an anonymous setting of the Quechua text Hanacpachap cussicuinin, a Marian hymn that is regarded as the oldest printed piece of polyphony from the Americas. With beautifully varied instrumental support, Ex Cathedra turn it into a hauntingly beautiful processional’ (The Guardian)

‘Followers of Jeffrey Skidmore’s earlier excursions into the Latin American Baroque with his Ex Cathedra group should need no prompting to buy volume three … Nothing stifles the infectious spark of these mostly secular effusions by the 17th-century Juan de Araujo, cathedral organist in Bolivia. Uplifting, and foot-tapping’ (The Times)

‘The performances throughout can hardly be faulted. A lovely and varied sonority is created by soloists emerging and returning from the 14-strong choir. The instrumental contribution is equally distinguished, from sensitive continuo of sustained organ and more rhythmically engaging plucked strings, to a positive kaleidoscope of wind and brass in the larger numbers’ (BBC Music Magazine, CD of the Month)

‘Captures the essence of music informed by the assured grandeur of 16th-century Spanish music, tinged with the colour of native ‘Indian’ culture and often marked by vibrant echoes of the regions’ African slave communities … An unmissable release’ (Classic FM Magazine, Vocal & Opera Disc of the Month)

‘It’s superbly performed … The most impressive element is the precision, blend and sonority of his singers in a splendid setting of Dixit Dominus. The evocation of a bullfight in Salga el torillo hosquillo (in which the Matador is compared to the Virgin Mary) is thrilling in its energy and drama, and the contemplative serenity of Silencio is breathakingly beautiful … This is a terrific disc’ (Gramophone)

‘Jeffrey Skidmore not only has this music under his skin, but equally the ability to inspire his splendid forces to communicate his enthusiasm for it with colourful immediacy … throughout the listener is caught up by Araujo’s infectious rhythms and melodic gift’ (Goldberg)

‘A hugely appealing, atmospheric disc … The reason we should bother with such an obscure composer is clear from the first note – the vivid contrasts and thrilling rhetoric found in Gabrieli and Monteverdi are developed and combined with a magical, dramatic, dark-hued Iberian sensibility’ (Sunday Times)

‘Araujo is rightly considered to be perhaps the finest composer of his age working in Latin America … This is a captivating, colourful recording which may breathe the stiller London air but audibly relishes the genius of the too-long-neglected Juan de Araujo’ (International Record Review)

‘Araujo’s fusion of European-style vocal techniques with foot-tapping Latino rhythms is a revelation. Bouquets to Hyperion for opening our ears to these riches, and to the Birmingham-based Ex Cathedra vocal and instrumental ensemble, under scholar-director Jeffrey Skidmore, for such engaging performances’ (Financial Times)

‘The performances are glorious. Soloists and choir sing lustily but stylishly, and the instrumental backing is aptly contrived. Even more than in past volumes, I found this release just plain enchanting. Fine notes, full texts and translations. In all, one of those releases that is truly perfect! What an absolute treasure Hyperion has in Skidmore and his confederates!’ (American Record Guide)

‘The rediscovery of Latin American baroque music was a success story waiting to happen: it combines the dramatic contrasts of texture and the expressive word-setting of the European baroque with the rhythmic energy of New World folk music and the dances of West African slaves … The choral textures are thrilling’ (Oxford Today)

‘This is a splendid disc and a very worthy successor to the preceding volumes. The standard of performance is unfailingly excellent. Ensemble work, both vocal and instrumental, is tight and the many vocal solos are all taken extremely well. The performances display flair and finesse on the part of all concerned Jeffrey Skidmore’s direction is perceptive, lively and, above all, persuasive. It’s quite astonishing to think of this music being composed and performed in a remote colonial outpost in seventeenth century Latin America and the survival of the music and its revival today is something for which we should be grateful. Juan de Araujo was a fine composer and he has been exceptionally well served here by Jeffrey Skidmore and Ex Cathedra. This is a CD that commands attention’ (MusicWeb.com)

‘High art meets the reality of the New World, resulting in a new music that modern performers and audiences are just beginning to appreciate … This is exactly what the classical music ‘industry’ should be about’ (PositiveFeedback.com, USA)

‘Jeffrey Skidmore continues his exploration of Latin American Baroque music with an imaginatively programmed disc largely devoted to the music of the Spanish-born Juan de Araujo (1648–1712), who spent the final 30 years of his life as organist at the cathedral of La Plata (now Sucre, Bolivia). Judging by what’s here recorded, Araujo was equally at home in sacred and secular pieces: the Dixit Dominus for three choirs is particularly attractive, and his secular music has an irresistible foot-tapping quality. We remain indebted to Skidmore and the fine vocal and instrumental forces of his Ex Cathedra ensembles for resurrecting this material. An important release’ (Choir & Organ Magazine)

‘Araujo’s music is very different: sophisticated and marvellously expressive, and Ex Cathedra makes the most of it. The poetry too is worthy of attention: Very enjoyable’ (Early Music Review)

‘Jeffrey Skidmore and Ex Cathedra of Birmingham have made a hit recently, with their recording of South American music … Another hit which you can’t keep out of your mind, released by Hyperion’ (Daily Mail)

‘The instrumental ensemble is exciting, vital, rhythmically alert … The music of Juan de Araujo … is unquestionably a good find’ (Fanfare, USA)

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